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An unconditional operatic masterpiece that anticipated Verdi's famous triad (Rigoletto, Troubadour, La Traviata) and initiated the genre of lyrical drama, the fate of Stiffelio seems to us today extremely unfair: the world premiere in 1850, following a tumultuous production, only led to confusion and dismay, with subsequent performances marred by censorship and alteration. This magnificent work, boasting grand orchestral scores, resplendent vocal arrangements, and poignant
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